Presents
Anton Reicha
Piano Trio No.2 in E flat Major, Op.101 No.1
Op.101 No.1 is the first of a set of six which were composed in 1824. Clearly well into the mature phase of his career, Reicha was certainly familiar with Haydn and Mozart’s efforts at writing piano trios, but more importantly with Beethoven’s ground-breaking treatment of the strings as equals with the piano in his piano trios. The Op.101 trios are proof that Reicha’s conception of a piano trio went beyond that of Mozart or Haydn. He accepted the notion that there was a need for equality between the instruments. He wrote in the forward to the first edition of the Op.101 trios that it was his goal to achieve a harmonic interaction between the voices. In this respect, they are certainly the equal of Beethoven's trios. The players were instructed not to regard the music as a mere piano score. Op.101 No.1 in E flat Major begins with a Beethovian Lento introduction which leads to an engaging Allegro moderato. The effective Minuetto, allegro which comes next does not sound much like a minuet but a kind of an operatic, scherzo redolent of Rossini. The third movement, Lento, andante almost sounds baroque. The finale, Presto, especially the piano writing, sounds as if Mozart had composed it. All three voices are nicely served.
Anton Reicha, (1770-1836, Antonin Rejcha in the Czech form) was born in Prague. Orphaned at an early age, he went to Bavaria to live with his uncle, Joseph Reicha a concert cellist and music director. He studied violin, flute, piano and composition while with his uncle. In 1785, they went to Bonn, where Joseph became music director at the electoral court. There, Anton got to know Beethoven with whom he became friends. He traveled extensively, holding positions in Hamburg, Vienna and Paris, where he eventually settled. By 1810 he was a professor at the Paris Conservatory and became one of the most famous teachers of his time. George Onslow, Louise Farrenc, Franz Liszt, Hector Berlioz, Cesar Franck and Charles Gounod were among his many students. He also gained fame as a theorist. He was an innovator in many areas. Though perhaps not the inventor of the Wind Quintet, he was the first to popularize it. A prolific composer, he wrote in virtually every genre. Chamber music is a very important part of his oeuvre.
Here is a trio from Beethoven's time that is in its own way on an equal footing with Ludwig's trios. Reicha's ideas are original and fresh and not to be heard elsewhere. This is a first rate work which would be a success in the concert hall and should be welcomed by amateurs as well. It has been out of print for well over a century. We have reprinted the only edition which was made before the time that publishers added the string parts to the piano part to make a piano score.
Parts $29.95
