Presents
Franz Krommer
String Quartet in A Major, Op.50 No.3--New Edition
Franz Krommer's String Quartet in A Major, Op.50 No.3 is the last of a set of three, dedicated to the Moravian Count Johann-Nepomuk Karl Paschma, which were composed around 1804. The opening Allegro begins with a lively, fetching genial theme first heard in the first violin and then the cello. Evenually the music picks up steam and moves forward with elan. The second movement, Adagio is somber and stately, but it is not morose. It is filled with filigree work in each of the voices. The Menuetto, allegretto which follows is a rather, straight forward classical Viennese minuet. Interestingly, the accented beat mostly falls on the second and third beats rather than the first. A somewhat ominout, hard driving finale Allegro moderato begins in A minor. Eventually, the mood lightens as the music moves into the major.
Franz Krommer (1759-1831) was born in town of Kamnitz then part of the Habsburg Austrian Empire (today Kamenice in the Czech Republic) It had a mixed population of Germans and Czechs and though baptized František Vincenc Kramář by the time he was 15, Krommer began using the Germanized version of his name for the rest of his life, the name by which he beame known to the world. Krommer was one of the most successful composers in Vienna at the turn of the 18th Century. His reputation was attested to by the fact that his works were frequently republished throughout Germany, England, France, Italy, Scandinavia and even the United States. According to several contemporary sources he was regarded with Haydn as the leading composer of string quartets and as a serious rival of Beethoven. Krommer was a violinist of considerable ability who came to Vienna around 1785. For the following 10 years he held appointments at various aristocratic courts in Hungary. He returned to Vienna in 1795 where he remained until his death, holding various positions including that of Court Composer (Hofmusiker) to the Emperor, Franz I, an enthusiastic quartet player. He was the last composer to hold this august title and one of his duties was accompanying the Emperor on his various campaigns so that he could relax in the evenings playing quartets. There are more than 300 compositions which were at one time or another published, much of which is chamber music. He wrote more than 70 string quartets, 35 quintets, perhaps as many as 15 string trios, but also several works for winds and strings. Of Krommer's string quartets, the famous chamber music critic Wilhelm Altmann, in his Handbook for String Quartet Players writes, “Krommer knew how to write for string instruments and as a result what he wrote sounds brilliant."
Our new edition is based on the original published by the Viennese publishing house Bureau de Arts et d'Industrie and was edited by senior editor Santo Neuenwelt.
Parts: $29.95
Parts & Score: $38.95
